A film about death, dying and transience
A co-production by DARUM and WUK performing arts
EXIT: OPEN is a first-person danse macabre documenting true stories and individual perspectives on dying, death and transience: filmed during the 2020 Coronavirus lockdown at an abandoned office complex in Vienna, Austria.
For no other concept in the world are there as many euphemisms as for the concept of “death”: instinctively, people avoid death, they try to make it invisible and push the dead to the edges of perception. However, ignorance creates fear. But how should we face the inevitable reality of death? The Covid-19 Coronavirus came into our world and all of a sudden death was everywhere. But many people were and are reluctant to talk about their own future death or mourning experiences even though death has become a constant topic in the news, in everyday small talk, in the entertainment industry, or even in everyone’s personal decision making processes. So it's here and not here at the same time.
AUSGANG: OFFEN / EXIT: OPEN initiated at a time before the first Covid-19 case was even discovered: The concept for a live 1:1 performative installation was born in 2019, when death was still something many people ignored or repressed. We wanted to make a project that would completely focus on the topic of death, without a dramatic hook or side story, just pure and simple death and dying. At an abandoned office complex in Vienna, Austria audience members would individually go through one room to the next and come into contact with a real person speaking about their experience with death, dying or transience.
When the lockdown started it was clear that the 1:1 performative installation could not take place as planned but more than ever we felt that the concept’s face-to-face confrontation with death needed to find a wider audience so we adapted AUSGANG: OFFEN / EXIT: OPEN into a documentary film and shot it in the middle of the lockdown April 2020 following all governmental restrictions. The camera’s eye has taken the position of the audience member allowing for an intimacy and closeness with each of film’s diverse “witnesses of death”, like a doctor, an undertaker, a son, a big sister, a terminally ill woman and other people who share their own personal encounters with death and thoughts on dying.
3 exclusive Online Preview Screenings of the incomplete film took place mid-May on the websites of nachtrkritik.de, our coproducer WUK performing arts and the Austiran Cultural Forum Bucharest.
Foto: Roman Mintert
World Cinematic Premiere
To be announced
To be announced
Duration: 99 minutes.
Artistic direction, screenplay and film production DARUM (Laura Andreß | Victoria Halper | Kai Krösche)
Performance Ruth Biller, Franz Hammerbacher, Jasmin Kreuzer, Robert N., Georg Parlow, Caroline S., Emma Wiederhold,
Brigitte Zolles, Dr. Sophie Zwölfer sowie Laura Andreß und Victoria Halper
Camera and lighting Ali Andress
Set Desing Johannes Weckl (head), Sophie Linhart
Film editing, in-film videos and color correction Victoria Halper
Music and Sound Design Kai Krösche
Interviews Laura Andreß
Texts Kai Krösche
Produktion Managers ProSiBe (Siglind Güttler, Bernhard Werschnak)
Lighting Kai Krösche, Johannes Weckl
Press Patrizia Büchele
Assistance to the artistic director (Performance) Verena Rumplmair
English Subtitles James Watson
Marketing cooperation Victoria Horvat, Armin Kirchner, Bernd Seiser
Volunteers (Performance) Lara Cortellini, Isabel Dettinger
Photo „Worms“ Roman Mintert
Filmed in April 2020 on site at the “Kempelenpark” in Vienna, Austria.
No animals were harmed during the making of this film.
Filming was carried out under strict accordance with the legal requirements and restrictions for coping with the corona
crisis and the guidelines of the Austrian Federal Economic Chamber for the film and music industry.
Supported by the Cultural Department of the City of Vienna and the Federal Chancellery for Art and Culture.
With the friendly support from Bluedrift KG.
Many thanks to the Bestattung Himmelblau, Irmgard Hubauer (Stadtraum am Kempelenpark), Robert Illek (Naturhistori-
sches Museum Wien), Martin Kerschbaum, Schauspielhaus Wien, Szene Waldviertel, the Wiener Linien and Michael Zerz.
Aspect Ratio: 2.39:1 (Scope)
Projecting Speed: 50 fps
Camera: Panasonic GH5s
Sound: Stereo 2.0
Subtitles: German for the hearing Impaired, English
PRESS / What other's are saying about EXIT: OPEN